Lecture at Notre Dame regarding origins and connections and idea sharing between cultures
No concrete answer no certainties. just ideas.
Questions about Origins
Doric and Ionic = 2 key orders
Focus on Triglyphs
origin?
Possibilities
Structure
wood construction
but is it?
Triglyphs used on altars as early as it is on temples
could not have developed like columns which required an evolution period
not evolution = revolution - no prototype-either you have them or you don't
Influence- borrowed
Continuity or revival?
Mycenaeans (crete)
Egypt
both more rich + sophisticated that the Greeks.
Late Hittite
Armenian
Phoenician
near east
How are designs/ideas shared?
Aeolic capital
-early greek
-from Egypt/East
mycenaean art
-ionic precursor
Temple of Artemis- Ephesus
Egyptian hypostyle hall
echoes via impact/feel not forms
Ornament + Appearance
desire for decoration well before weaving
aesthetically superior
Meaning
some basic meanings that determine culture
"after a while we just use them because we use them"
Vitruvius- story of the Corinthian column
(not consistent- moves around from topic to topic)
calathos- pot shaped like a basket
with a tile on top and plants grown over
this is not true there is evidence of evolution
triglyphs + tripods:
tripods= enormously important to Greeks
end of 7th c. BC 630/640
Looking at some other related things and their origins:
Columns
column as metaphorical human body
temple as frozen ritual
temple as hoplite phalanx
as sacrificial assembly
Sanctuary
sacred place- natural feature
altar
boundary
offerings- a hurt
temples= store houses for offerings
= house of the god
= offering to the god
Libations- prestige objects
conceptual appearance of offerings may tell us something about arch. materials of art/artist tells us about arch. - tectonic arts + technical arts
Libation bowl > > > capital
CONTAMINATION- CUT FROM THE SAME CLOTH
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment